by Gracepoint

supported by
Stéphane Gallay
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Stéphane Gallay Dans l’ensemble, j’aime bien, mais il y a quand même des morceaux qui me parlent plus que d’autres; dans l’absolu, je trouve la seconde moitié de l’album plus à mon goût – plus moderne, aussi, comme si elle avait été écrite plus récemment que la première. Favorite track: July 4.
Ty Brookman
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Ty Brookman Great band chalked full of technical musicians. A no brainier for anyone who digs prog!
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Animal 04:25
Spider 05:21
Secrets 02:41
Full Circle 06:49
Somber 06:04
Crucible 04:41
Bittersweet 04:52
July 4 05:49
Echoes 05:54
Moon 02:33


Since the release of their first album, “Science of Discontent”, Minneapolis based Gracepoint has continued to develop their distinctive approach to progressive metal. The goal from the inception of the band has been to create music that will be appreciated by both musicians and the average metal head.
While “Science of Discontent” had a raw, underground sound, their newest release “Echoes” (April 2016) is the result of a collaboration with legendary producer/engineer Neil Kernon (Dokken, Queensryche, Nevermore).

Drawing on a wide array of influences from classic heavy rock and metal, thrash and death metal, and a variety of progressive bands from the 70’s through today, Gracepoint has forged a heavy and rhythmically complex sound that remains focused and accessible.

Bass player Sam Van Moer and drummer Lance Reed form a musical foundation rich in both syncopation and groove. Guitarists Lon Kunze and Stefan Radzilowski deal in aggressive and complex riffs while placing a clear emphasis on strong rhythmic and melodic phrasing.

Together, the band tempers a myriad of time signature changes with groove, melodic sense, and concise song structures thereby forming the backdrop for the clear and powerful vocals of singer Matt Tennessen who brings another level of emotional depth and color to the music


released April 8, 2016


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Gracepoint Saint Paul, Minnesota

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